On February 17, 2023, the song "Mystery (Rosary) Sonata No. 2 in A Major, The Visitation: II. Allaman[da]" was released by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti. The duration of Mystery (Rosary) Sonata No. 2 in A Major, The Visitation: II. Allaman[da] is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Mystery (Rosary) Sonata No. 2 in A Major, The Visitation: II. Allaman[da]'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 46 in Biber: Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Mystery (Rosary) Sonata No. 2 in A Major, The Visitation: II. Allaman[da] is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Mystery (Rosary) Sonata No. 2 in A Major, The Visitation: II. Allaman[da] by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 1 in A Major, C. 138: III. Adagio | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM | ||
Scarlatti, D: Keyboard Sonata in D Minor, Kk. 32 | Domenico Scarlatti, Scott Ross | E Minor | 3 | 9A | 97 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Cavalli: Ercole amante, Act 1: Sinfonia | Francesco Cavalli, Thomas Dunford, Jupiter | F♯ Minor | 1 | 11A | 107 BPM | ||
Sonata "La guerra" in A Major: 4. Adagio | Johann Paul Von Westhoff, Musica Antiqua Köln, Reinhard Goebel | C Minor | 1 | 5A | 34 BPM | ||
Violin Sonata in B-Flat Major, T. So 34: IV. Sarabanda | Tomaso Albinoni, Davide Belosio, I Solisti Ambrosiani | A♭ Major | 0 | 4B | 120 BPM | ||
Abdelazer, Z.570: Air - Jig - Hornpipe - Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 172 BPM | ||
Mensa sonora / PARS I (In D Major): 1. Sonata. Grave - Allegro | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 139 BPM | ||
Les Éléments: IV. Ramage : L’Air | Jean-Féry Rebel, Jordi Savall, Le Concert Des Nations | D♭ Major | 0 | 3B | 80 BPM | ||
Sonata in F Major, Op. 1, No. 1: Grave - Allegro - Adagio - Allegro | Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | E Major | 1 | 12B | 71 BPM |
Section: 0.6340057849884033
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