"Oboe Sonata in D Major, Op. 166: III. Molto allegro" by Camille Saint-Saëns, Allan Vogel, Bryan Pezzone was released on January 1, 2000. The duration of Oboe Sonata in D Major, Op. 166: III. Molto allegro is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Oboe Sonata in D Major, Op. 166: III. Molto allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Saint-Saens, C.: Oboe Sonata in D Major / Poulenc, F.: Oboe Sonata / Britten, B.: 6 Metamorphoses After Ovid / Schumann, R.: 3 Romanzen". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Oboe Sonata in D Major, Op. 166: III. Molto allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oboe Sonata in D Major, Op. 166: III. Molto allegro by Camille Saint-Saëns, Allan Vogel, Bryan Pezzone having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Children's Album No. 1 "Pictures of Childhood": No. 5, Etude | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
Le Carnaval des Animaux: Aquarium | Camille Saint-Saëns, Irena Grafenauer, Martha Argerich, Nelson Freire, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, Mischa Maisky, Georg Maximilian Hörtnagel, Edith Salmen-Weber | A Minor | 0 | 8A | 134 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
Carnival of the Animals, R. 125: The Cuckoo in the Heart of the Woods | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | E Major | 0 | 12B | 59 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM |
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