Carnival of the Animals, R. 125: The Cuckoo in the Heart of the Woods - Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma Information

Acousticness: 99%
Danceability: 47%
Energy: 0%
Instrumentalness: 98%
Liveness: 9%
Loudness: 30%
Speechiness: 6%
Valence: 3%
Popularity: 25%
Loudness: -42.041 dB

Summary

"Carnival of the Animals, R. 125: The Cuckoo in the Heart of the Woods" by Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma was released on 1961. The duration of Carnival of the Animals, R. 125: The Cuckoo in the Heart of the Woods is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Carnival of the Animals, R. 125: The Cuckoo in the Heart of the Woods's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Saint-Saëns: Organ Symphony; Bacchanale; Danse Macabre; Carnaval des Animaux". In this album, this song's track order is #19. Carnival of the Animals, R. 125: The Cuckoo in the Heart of the Woods is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Carnival of the Animals, R. 125: The Cuckoo in the Heart of the Woods BPM

With Carnival of the Animals, R. 125: The Cuckoo in the Heart of the Woods by Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma having a BPM of 59 with a half-time of 30 BPM and a double-time of 118 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Carnival of the Animals, R. 125: The Cuckoo in the Heart of the Woods Key

E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Gayaneh, Ballet Suite: Gayaneh's Adagio	Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov	A Major	1	11B	105 BPM
Five Pieces For Two Violins and Piano: I. Prelude	Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan	G Major	0	9B	85 BPM
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: I. Balletto Detto 'Il Conte Orlando'	Ottorino Respighi, Konstantin Scherbakov	D Major	1	10B	125 BPM
Le tombeau de Couperin (version for orchestra): No. 3. Menuet	Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin	G Major	0	9B	86 BPM
Scheherezade, Op. 35: I. The Sea and Sinbad's Ship	Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra	E Minor	1	9A	70 BPM
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102)	Robert Schumann, Yo-Yo Ma, Kathryn Stott	F Major	1	7B	114 BPM
Concertino for Clarinet and Orchestra in E-Flat, Op. 26: Allegro	Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra	E♭ Major	1	5B	157 BPM
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	B♭ Major	1	6B	155 BPM
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato)	Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman	E♭ Major	1	5B	170 BPM
Nocturne No. 2 in C Minor	John Field, Benjamin Frith	C Minor	0	5A	67 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6361086368560791

End: 0.6493165493011475