"Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille" by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González was released on October 13, 2017. The duration of Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 20 in Bizet: Carmen & L'arlésienne Suites by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille is currently fairly popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Jeux d'enfants, Op. 22: I. March | Georges Bizet, Barry Wordsworth, London Symphony Orchestra | C Major | 1 | 8B | 132 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 87 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM |
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