Franz Lehár, Carl Michael Ziehrer, Joseph Gungl, Ion Ivanovici, Joseph Lanner, The Philharmonic Promenade Orchestra, Henry Krips made "Weaner Madln" available on January 1, 2000. Since Weaner Madln is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wiener Schnitzel by Joseph Gungl, Joseph Lanner, Carl Michael Ziehrer, Franz Lehár, Ion Ivanovici, The Philharmonic Promenade Orchestra, Henry Krips. The song's track number on the album is #4 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Weaner Madln is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Weaner Madln by Franz Lehár, Carl Michael Ziehrer, Joseph Gungl, Ion Ivanovici, Joseph Lanner, The Philharmonic Promenade Orchestra, Henry Krips has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Weaner Madln being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lehár / Arr Schifrin: Around the World Part 8: Die Lustige Witwe (The Merry Widow) - 'Lippen Schweigen' | Franz Lehár, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | G Major | 2 | 9B | 77 BPM | ||
Les pêcheurs de perles / Act 2: Au fond du temple saint | Georges Bizet, Ramón Vargas, Ludovic Tezier, SWR Symphony Orchestra, Marco Armiliato | E♭ Major | 4 | 5B | 169 BPM | ||
Ballszene | Joseph Hellmesberger, Sr., Göttingen Symphony Orchestra, Christian Simonis | B Major | 3 | 1B | 98 BPM | ||
Lehár: Zigeunerliebe: "Hör ich Cymbalklänge" (Ilona) | Franz Lehár, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Der Zigeunerbaron, Act I: Als flotter Geist - Ja, das alles auf Ehr | Nicolai Gedda, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Franz Allers | C Major | 4 | 8B | 84 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Carmen (Act I, Sequedille) | Agnes Baltsa | D Major | 2 | 10B | 112 BPM | ||
La fille du régiment / Act 1: Ah! mes amis, quel jour de fête! | Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | ||
Die lustige Witwe (The Merry Widow) (arr. R. Hayman): The Merry Widow Waltz | Franz Lehár, Richard Hayman, Richard Hayman Symphony Orchestra | G Major | 3 | 9B | 97 BPM | ||
La Favorite / Act 3: Oh! Mon Fernand - Excerpt | Gaetano Donizetti, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Yves Abel | C Major | 0 | 8B | 125 BPM |
Section: 0.6372988224029541
End: 0.6413908004760742