Marc-Antoine Charpentier, Irma Kolassi, Nadine Sautereau, Paul Derenne, Doda Conrad, Flore Wend, Studio ensemble, Nadia Boulanger's 'Medee: Voir nos moutons (Une bergere, La Victoire)' had a release date set for January 1, 2006. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 3 out of 29 in Charpentier, M.-A.: Medee / Monteverdi, C.: Madrigals (Boulanger) (1937, 1953) by Paul Derenne. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Medee: Voir nos moutons (Une bergere, La Victoire) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Medee: Voir nos moutons (Une bergere, La Victoire) by Marc-Antoine Charpentier, Irma Kolassi, Nadine Sautereau, Paul Derenne, Doda Conrad, Flore Wend, Studio ensemble, Nadia Boulanger is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria, RV. 589: Coro "Gloria in excelsis Deo" | Antonio Vivaldi, Les Arts Florissants, Paul Agnew | B Minor | 1 | 10A | 75 BPM | ||
Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 73 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Psyche, Act II Scene 1: Dance of Priests | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
David et Jonathas, H. 490, Acte IV: Prélude | Marc-Antoine Charpentier, Les Temps Présents, Olivier Schneebeli, Dominique Serve | A♭ Major | 2 | 4B | 118 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Te Deum: In Te, Domine, speravi | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | D Minor | 0 | 7A | 78 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Sonate III in F Major: I. Adagio | Élisabeth Jacquet de La Guerre, Ingrid Matthews, Byron Schenkman, Margriet Tindemans | A Major | 1 | 11B | 106 BPM |