"Sisask : Magnificat : IX Suscepit Israel" by Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann was released on April 4, 1994. The duration of Sisask : Magnificat : IX Suscepit Israel is about 3 minutes long, at 3:06. Based on our data, "Sisask : Magnificat : IX Suscepit Israel" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 36 in the song's album "Urmas Sisask : Gloria Patri..., Magnificat". In this album, this song's track order is #33. Based on our statistics, Sisask : Magnificat : IX Suscepit Israel's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sisask : Magnificat : IX Suscepit Israel by Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sisask : Magnificat : V Et misericordia | Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann | D♭ Major | 0 | 3B | 146 BPM | ||
Woman´s Prayer | George Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | F Minor | 0 | 4A | 83 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Sisask : Starry Sky Cycle Op.52 : 12. Serpens [Appearances] | Urmas Sisask, Lauri Väinmaa | D♭ Major | 1 | 3B | 180 BPM | ||
Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) | Paul Hindemith, Signum Saxophone Quartet, Hila Karni | B Minor | 0 | 10A | 70 BPM | ||
Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | F Major | 0 | 7B | 113 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
Siete Canciones Populares Españolas: VI. Nana - for alto and piano | Manuel de Falla, Tabea Zimmermann, Javier Perianes | C Major | 0 | 8B | 141 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM |
Section: 0.6707792282104492
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