"Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello)" by Paul Hindemith, Signum Saxophone Quartet, Hila Karni was released on January 15, 2021. With Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 10 in Echoes by Signum Saxophone Quartet. Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) by Paul Hindemith, Signum Saxophone Quartet, Hila Karni is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le printemps, Op. 18 | Darius Milhaud, Frédéric Pélassy, Eliane Reyes | F♯ Minor | 2 | 11A | 103 BPM | ||
Tissue No. 6 | Philip Glass, Camille Thomas, Julien Brocal | C Major | 0 | 8B | 85 BPM | ||
Hindemith: Trumpet Sonata: III. Trauermusik | Paul Hindemith, Alison Balsom | F♯ Major | 0 | 2B | 134 BPM | ||
Poulenc: Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F♯ Major | 0 | 2B | 77 BPM | ||
Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Bjarte Eike, Milos Valent | A♭ Minor | 1 | 1A | 122 BPM | ||
L'Oiseau de feu (1911 Version): X. Khorovod (Ronde) des princesses | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | F Minor | 0 | 4A | 68 BPM | ||
A Frog He Went A-Courting | Paul Hindemith, Umberto Aleandri, Filippo Farinelli | G Major | 2 | 9B | 80 BPM | ||
Chonguri | Sulkhan Tsintsadze, Thomas Demenga, Thomas Larcher | E Minor | 0 | 9A | 169 BPM | ||
Heavenly Romanticism | Béla Bartók, Klára Würtz, Janacek Philharmonic Orchestra, Theodore Kuchar | F Major | 0 | 7B | 96 BPM | ||
From the Bohemian Forest, Op. 68, B. 133: V. Silent Woods (Arr. Niefind & Ribke For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 85 BPM |
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