"Siete Canciones Populares Españolas: VI. Nana - for alto and piano" by Manuel de Falla, Tabea Zimmermann, Javier Perianes was released on March 27, 2020. The duration of Siete Canciones Populares Españolas: VI. Nana - for alto and piano is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Siete Canciones Populares Españolas: VI. Nana - for alto and piano's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Manuel De Falla: Siete Canciones populares españolas and no other songs are present in the album, we classify this track as a single. Based on our statistics, Siete Canciones Populares Españolas: VI. Nana - for alto and piano's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Siete Canciones Populares Españolas: VI. Nana - for alto and piano by Manuel de Falla, Tabea Zimmermann, Javier Perianes to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bagatelle, Op. 1: No. 1, Allegretto | Valentin Silvestrov, Natalya Pasichnyk | E♭ Major | 0 | 5B | 72 BPM | ||
Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM | ||
7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): Asturiana | Paul Kochanski, Manuel de Falla, Robert Koenig, Si-Qing Lu | F Minor | 0 | 4A | 86 BPM | ||
6 Pièces pour harpe à pédales: II. Scherzetto. Allegro moderato | Jacques Ibert, Lavinia Meijer | E Major | 1 | 12B | 60 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Scarborough Fair (Arr. Parkin for Cello and Guitar) | Traditional, Sheku Kanneh-Mason, Plínio Fernandes | D Major | 0 | 10B | 117 BPM | ||
Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | F Major | 0 | 7B | 113 BPM | ||
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | E♭ Major | 1 | 5B | 120 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM |
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