Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra's 'Don Pasquale, Act III Sesta Scena: Eccoli: attenti bene ... (Pasquale/Malatesta/Norina)' came out on 1984. The duration of Don Pasquale, Act III Sesta Scena: Eccoli: attenti bene ... (Pasquale/Malatesta/Norina) is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Don Pasquale, Act III Sesta Scena: Eccoli: attenti bene ... (Pasquale/Malatesta/Norina)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 45 in Donizetti: Don Pasquale by Gaetano Donizetti, Riccardo Muti. Based on our statistics, Don Pasquale, Act III Sesta Scena: Eccoli: attenti bene ... (Pasquale/Malatesta/Norina)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Don Pasquale, Act III Sesta Scena: Eccoli: attenti bene ... (Pasquale/Malatesta/Norina) by Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alcina, HWV 34 / Act 1: Tornami a vagheggiar - Live | George Frideric Handel, Dame Joan Sutherland, Cappella Coloniensis, Ferdinand Leitner | A Major | 2 | 11B | 131 BPM | ||
Werther: Pourquoi me réveiller | Jules Massenet, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | F♯ Minor | 1 | 11A | 67 BPM | ||
Giordano : Andrea Chénier : Act 4 "Come un bel dì di maggio" [Andrea Chénier] | Umberto Giordano, José Cura, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 84 BPM | ||
Canzonetta spagnuola | Gioachino Rossini, Giuseppina Bridelli, Alessandro Marangoni | D Major | 4 | 10B | 103 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Norma: Sinfonia | Vincenzo Bellini, Welsh National Opera Orchestra, Richard Bonynge | G Major | 1 | 9B | 140 BPM | ||
Lucia di Lammermoor (1997 Digital Remaster): Oh, meschina! Oh, fato orrendo! | Gaetano Donizetti, Giuseppe Di Stefano, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, RIAS Sinfonie-Orchester Berlin, Herbert von Karajan | F Major | 2 | 7B | 80 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
Lucia di Lammermoor / Act 3: O giusto cielo! ... Il dolce suono | Gaetano Donizetti, Nadine Sierra, Capella Cracoviensis, Orchestra Sinfonica Nazionale Della RAI, Riccardo Frizza | F Minor | 0 | 4A | 169 BPM | ||
Don Pasquale: Tornami a dir che m'ami | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | A Major | 0 | 11B | 90 BPM |
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