- BPM
- 169
- Key
- F Minor
- Camelot
- 4A
Lucia di Lammermoor / Act 3: O giusto cielo! ... Il dolce suono - Gaetano Donizetti, Nadine Sierra, Capella Cracoviensis, Orchestra Sinfonica Nazionale Della RAI, Riccardo Frizza Information
- Acousticness
- 97%
- Danceability
- 20%
- Energy
- 4%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 56%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -26.58 dB
Summary
"Lucia di Lammermoor / Act 3: O giusto cielo! ... Il dolce suono" by Gaetano Donizetti, Nadine Sierra, Capella Cracoviensis, Orchestra Sinfonica Nazionale Della RAI, Riccardo Frizza was released on November 26, 2022. The duration of Lucia di Lammermoor / Act 3: O giusto cielo! ... Il dolce suono is about 3 minutes long, at 3:20. Based on our data, "Lucia di Lammermoor / Act 3: O giusto cielo! ... Il dolce suono" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 72 out of 131 in Donizetti: Essential Recordings by Gaetano Donizetti. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Lucia di Lammermoor / Act 3: O giusto cielo! ... Il dolce suono is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Lucia di Lammermoor / Act 3: O giusto cielo! ... Il dolce suono BPM
The tempo marking of Lucia di Lammermoor / Act 3: O giusto cielo! ... Il dolce suono by Gaetano Donizetti, Nadine Sierra, Capella Cracoviensis, Orchestra Sinfonica Nazionale Della RAI, Riccardo Frizza is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
Lucia di Lammermoor / Act 3: O giusto cielo! ... Il dolce suono Key
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Il Barbiere di Siviglia (1996 Digital Remaster): Ecco ridente in cielo (Conte) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 2 | 8B | 86 BPM | |
 | Maria Stuarda: Act I Scene 2: Si, vuol di Francia il Rege (Elisabetta) | Gaetano Donizetti, Carmela Remigio, Sonia Ganassi, Joseph Calleja, Riccardo Zanellato, Marzio Giossi, Cinzia Rizzone, Circuito Lirico Regional Chorus, Fondazione Orchestra Gaetano Donizetti Di Bergamo, Fabrizio Maria Carminati | B♭ Major | 0 | 6B | 90 BPM | |
 | Norma / Act 1: Deh! proteggimi, o Dio! | Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | D♭ Major | 0 | 3B | 170 BPM | |
| Norma / Act 2: Guerra, guerra! | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | A Major | 2 | 11B | 85 BPM | |
 | Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov | E Minor | 1 | 9A | 84 BPM | |
 | Roberto Devereux, A. 52: E Sara in questi orribili momenti | Gaetano Donizetti, Lyric Opera of Chicago, Riccardo Frizza, Sondra Radvanovsky, Lyric Opera of Chicago Chorus | D Major | 0 | 10B | 84 BPM | |
 | Fausto, Act IV: Stretta. A morte vergognosa! | Louise Bertin, Karine Deshayes, Les Talens Lyriques, Christophe Rousset | B Major | 5 | 1B | 98 BPM | |
 | Puccini: Suor Angelica: "Chi è venuto stasera in parlatorio?" (La prima cercatrice, Suor Angelica, Suor Genovieffa, Chorus) | Giacomo Puccini, London Voices, London Symphony Orchestra, Tiffin School Boys' Choir, Antonio Pappano, Terry Edwards, Anna Maria Panzarella, Francesca Pedaci, Elena Zilio, Sara Fulgoni, Dorothea Rschmann, Judith Rees, Rachele Stanisci, Felicity Palmer, Deborah, Cristina Gallardo-Domas, Philharmonia Orchestra | C Major | 2 | 8B | 81 BPM | |
 | Donizetti: Lucia di Lammermoor, Act 3: "Ah! Cessate quel contento... Dalle stanze ove Lucia" (Raimondo, Chorus) | Gaetano Donizetti, Jesús López-Cobos, Münchener Opernchor, Münchener Opernorchester, Nicolas Teste | B Major | 2 | 1B | 130 BPM | |
 | Francesca da Rimini, Op. 4: Paolo datemi pace! | Riccardo Zandonai, Vida Miknevičiūtė, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | D Major | 1 | 10B | 93 BPM |
- ISRC
- DEN962031107
- Label
- L-M Records/RCA Records
Section: 0.7516152858734131
End: 0.7550146579742432