"Grieg: Peer Gynt, Op. 23, Act 2: No. 7, In the Hall of the Mountain King" by Edvard Grieg, Siv Borg/Tutte Lemkov/Stuart Rose/Ernst-Senff-Chor Berlin/Berliner Philharmoniker/Jeffrey Tate, Ernst Senff Chor Berlin, Siv Borg, Stuart Rose, Tutte Lemov, Jeffrey Tate, Berliner Philharmoniker was released on April 9, 1999. The duration of Grieg: Peer Gynt, Op. 23, Act 2: No. 7, In the Hall of the Mountain King is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Grieg: Peer Gynt, Op. 23, Act 2: No. 7, In the Hall of the Mountain King's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edvard Grieg, Jeffrey Tate, Berliner Philharmoniker's "Grieg - Peer Gynt (Selections)" album is number 4 out of 17. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Grieg: Peer Gynt, Op. 23, Act 2: No. 7, In the Hall of the Mountain King is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Grieg: Peer Gynt, Op. 23, Act 2: No. 7, In the Hall of the Mountain King by Edvard Grieg, Siv Borg/Tutte Lemkov/Stuart Rose/Ernst-Senff-Chor Berlin/Berliner Philharmoniker/Jeffrey Tate, Ernst Senff Chor Berlin, Siv Borg, Stuart Rose, Tutte Lemov, Jeffrey Tate, Berliner Philharmoniker to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Rheingold: Einzug der Götter in Walhall | Richard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | D♭ Major | 1 | 3B | 76 BPM | ||
Orpheus In The Underworld (Orphée aux enfers): Overture | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 82 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Von den Freuden und Leidenschaften | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Minor | 5 | 5A | 150 BPM | ||
Il Barbiere di Siviglia: Overture - Highlights | Gioachino Rossini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | F Major | 3 | 7B | 88 BPM | ||
Schwanensee, Op. 20: Introduction | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | B Minor | 0 | 10A | 80 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": I. Allegro vivace | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 65 BPM | ||
Grieg: Peer Gynt (Incidental Music), Op. 23, Act 2: No. 8, In the Hall of the Mountain King | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 105 BPM | ||
Bach: Toccata d-moll BWV 565 | Conrad Zwicky | D Minor | 1 | 7A | 105 BPM | ||
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 83 BPM |
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