"Orpheus In The Underworld (Orphée aux enfers): Overture" by Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1981. Since Orpheus In The Underworld (Orphée aux enfers): Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Offenbach: Overtures". In this album, this song's track order is #1. Orpheus In The Underworld (Orphée aux enfers): Overture is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orpheus In The Underworld (Orphée aux enfers): Overture by Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pomme d'Api: Bonjour Monsieur, je suis la bonne (Couplet) | Jacques Offenbach, Vesselina Kasarova, Ulf Schirmer | D Major | 0 | 10B | 78 BPM | ||
The Planets - Suite for large orchestra, Op.32: III. Mercury, the Winged Messenger (Vivace) | Berliner Philharmoniker, Sir Simon Rattle | F Major | 0 | 7B | 118 BPM | ||
Morgenblätter, Op. 279 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 96 BPM | ||
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 4. A Spring In The Park | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 133 BPM | ||
Polovtsian Dances, from: Prince Igor: Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
Jazz Suite No. 2: VIII. Finale | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 141 BPM | ||
Tritsch-Tratsch-Polka, Op. 214: "Tritsch-Tratsch-Polka" | Philharmonia Orchestra, Herbert von Karajan | A Major | 4 | 11B | 80 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 129 BPM | ||
Polovtsian Dances (from Prince Igor) | Sir Simon Rattle, Berliner Philharmoniker | D Major | 1 | 10B | 99 BPM | ||
Symphony No.6 In F, Op.68 -"Pastoral": 2. Szene am Bach: (Andante molto mosso) | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 82 BPM |
Section: 0.8180177211761475
End: 0.8231627941131592