"Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 4. A Spring In The Park" by Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1995. The duration of Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 4. A Spring In The Park is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 4. A Spring In The Park's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Smetana: The Moldau / Sibelius: Finlandia; Pelléas et Mélisande / Liszt: Les Préludes". In this album, this song's track order is #6. Based on our statistics, Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 4. A Spring In The Park's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 4. A Spring In The Park by Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Also sprach Zarathustra, Op.30, TrV 176: Das Nachtwandlerlied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | B Major | 0 | 1B | 66 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | G Minor | 3 | 6A | 140 BPM | ||
Symphony No.7 In A, Op.92: 3. Presto - Assai meno presto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 120 BPM | ||
The Tempest, Op. 109: Intermezzo (Alonso mourns) | Jean Sibelius, Kirsi Tiihonen, Lilli Paasikivi, Anssi Hirvonen, Paavo Kerola, Heikki Keinonen, Lahti Opera Chorus, Lahti Symphony Orchestra, Osmo Vänskä | C Minor | 0 | 5A | 84 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Major | 3 | 7B | 111 BPM | ||
Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 69 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 7, Bydlo | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | A Major | 0 | 11B | 92 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 9, Ballet of the Unhatched Chicks | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | F♯ Major | 0 | 2B | 179 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 13, Cum mortuis in lingua mortua | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | F♯ Major | 0 | 2B | 75 BPM |
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