"Bach: Toccata d-moll BWV 565" by Conrad Zwicky was released on 1995. The duration of Bach: Toccata d-moll BWV 565 is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Bach: Toccata d-moll BWV 565's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Populäre Orgelmusik Popular organ music". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Switzerland. In terms of popularity, Bach: Toccata d-moll BWV 565 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bach: Toccata d-moll BWV 565 by Conrad Zwicky having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso Op.25-2 D Major 'Watermusic Suite No.2': Alla Hornpipe | I Musici Di San Marco, Alberto Lizzio | D Major | 3 | 10B | 119 BPM | ||
Peer Gynt, Suite No. 1, Op. 46: No. 1. Morgenstemning (Morning Mood) (arr. for organ) | Anonymous , Edvard Grieg, Clay Christiansen | E Major | 0 | 12B | 134 BPM | ||
Den förlorade sonen Suite: Polka from "Roslagen" | Hugo Alfvén, Helsingborg Symphony Orchestra, Okko Kamu | C Major | 0 | 8B | 101 BPM | ||
24 Préludes, Op. 28: Prélude Nr. 15, Des Dur, ("Regentropfen"), Sostenuto | Frédéric Chopin, Ingeborg Baldaszti | D♭ Major | 0 | 3B | 134 BPM | ||
Verdi: Aida, Act 2: Marcia trionfale | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | A♭ Major | 1 | 4B | 120 BPM | ||
Symphonie G-Dur, Hob I:94: II. Andante | Orchestra Sinfonica Dell'Arte, Guiseppe Menarelli | C Major | 0 | 8B | 118 BPM | ||
Rheinberger : Sonata 3 G major, op.88, Fuga. Non troppo allegro | Conrad Zwicky | D Major | 3 | 10B | 86 BPM | ||
Orpheus in the Underworld: Cancan | Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker | D Major | 6 | 10B | 152 BPM | ||
Jerusalem, du hochgebaute Stadt | Max Reger, Ulrike Kern | D Major | 1 | 10B | 70 BPM | ||
Fanfare-Rondeau | Jean-Joseph Mouret, Hamburg Chamber Orchestra, Richard Kapp | D Major | 3 | 10B | 98 BPM |
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