Jascha Heifetz, George Gershwin, Matthew Trusler, Wayne Marshall's 'Porgy and Bess (arr. J. Heifetz for violin and piano): III. It Aint Necessarily So' came out on January 1, 2006. The duration of Porgy and Bess (arr. J. Heifetz for violin and piano): III. It Aint Necessarily So is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Porgy and Bess (arr. J. Heifetz for violin and piano): III. It Aint Necessarily So's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Matthew Trusler's "Gershwin, G.: Porgy and Bess Suite / 3 Preludes / Antheil, G.: Violin Sonata No. 2 / Copland, A.: 2 Pieces (Trusler, Marshall) (Blues)" album is number 3 out of 16. Porgy and Bess (arr. J. Heifetz for violin and piano): III. It Aint Necessarily So is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Porgy and Bess (arr. J. Heifetz for violin and piano): III. It Aint Necessarily So by Jascha Heifetz, George Gershwin, Matthew Trusler, Wayne Marshall to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Song Book: I Got Rhythm. Very marked | George Gershwin, Frank Braley | D♭ Major | 2 | 3B | 102 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: The Augurs of Spring: Dances of the Young Girls | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 3 | 1A | 104 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Polonaise in A-Flat Major, Op. 53 | Frédéric Chopin, Evgeny Kissin | A♭ Major | 3 | 4B | 85 BPM | ||
Sonata No. 1, BWV 1001, in G Minor: Siciliano | Johann Sebastian Bach, Jascha Heifetz | B♭ Major | 0 | 6B | 95 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 1. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Major | 1 | 7B | 113 BPM | ||
Elite Syncopations (arr. I. Perlman for violin and piano) | Itzhak Perlman, Scott Joplin, Matthew Trusler, Wayne Marshall | G Major | 3 | 9B | 100 BPM |
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