On January 1, 2006, the song "Elite Syncopations (arr. I. Perlman for violin and piano)" was released by Itzhak Perlman, Scott Joplin, Matthew Trusler, Wayne Marshall. The duration of Elite Syncopations (arr. I. Perlman for violin and piano) is about 3 minutes long, at 3:04. Based on our data, "Elite Syncopations (arr. I. Perlman for violin and piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Matthew Trusler's "Gershwin, G.: Porgy and Bess Suite / 3 Preludes / Antheil, G.: Violin Sonata No. 2 / Copland, A.: 2 Pieces (Trusler, Marshall) (Blues)" album is number 9 out of 16. In terms of popularity, Elite Syncopations (arr. I. Perlman for violin and piano) is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Elite Syncopations (arr. I. Perlman for violin and piano) by Itzhak Perlman, Scott Joplin, Matthew Trusler, Wayne Marshall to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solo de concours, Op. 10 | Henri Rabaud, Michael Collins, Michael McHale | F Major | 0 | 7B | 83 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | F Major | 2 | 7B | 72 BPM | ||
The Ragtime Dance | Scott Joplin, Joshua Rifkin | E♭ Major | 1 | 5B | 92 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Symphonie espagnole, Op. 21: V. Rondo | Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra | D Major | 2 | 10B | 109 BPM | ||
24 Caprices, Op.1 (2000 - Remaster): No. 21 in A | Niccolò Paganini, Itzhak Perlman | A Major | 1 | 11B | 57 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Scaramouche, Op. 165: III. Brazileira | Darius Milhaud, Ludmila Peterková, Irina Kondratenko | C Major | 2 | 8B | 175 BPM | ||
Theme From Schindler's List | John Williams, Itzhak Perlman, Boston Symphony Orchestra | D Minor | 1 | 7A | 99 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM |
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