"Abendempfindung K523" by Barbara Hendricks was released on March 3, 2003. With this song being about 5 minutes long, at 4:38, "Abendempfindung K523" by Barbara Hendricks is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Barbara Hendricks's "la voix du ciel" album is number 2 out of 32. In terms of popularity, Abendempfindung K523 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Abendempfindung K523 by Barbara Hendricks to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 83 BPM | ||
Strauss, R: Mädchenblumen, Op. 22: No. 4, Wasserrose | Richard Strauss, Barbara Hendricks | C Major | 1 | 8B | 132 BPM | ||
Giulio Cesare / Act 1: Va tacito e nascosto | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 132 BPM | ||
Delizie contente | Francesco Cavalli, Cecilia Bartoli, György Fischer | F Minor | 1 | 4A | 92 BPM | ||
Bach, JS: Was mir behagt, BWV 208 "Jagdkantate": No. 9, Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Barbara Hendricks, Eckart Haupt, Gudrun Jahn, Peter Schreier, Carl Philipp Emanuel Bach Chamber Orchestra | G Major | 1 | 9B | 78 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Major | 2 | 9B | 84 BPM | ||
La belle Hélène / Act 1: Au mont Ida...Le jugement de Paris | Jacques Offenbach, Joseph Calleja, Academy of St. Martin in the Fields, Carlo Rizzi | B♭ Major | 2 | 6B | 96 BPM | ||
Mass No. 2 in G Major, D. 167: VI. Agnus Dei | Franz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | E Minor | 0 | 9A | 73 BPM | ||
Myrthen, Op. 25: No. 3. Der Nussbaum | Robert Schumann, Margaret Price, James Lockhart | G Major | 0 | 9B | 65 BPM |
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