Valérie Millot, David Abramovitz, Maurice Ravel made "3 Chansons (Version For Solo Voice And Piano): No. 3: Ronde" available on January 9, 2004. With 3 Chansons (Version For Solo Voice And Piano): No. 3: Ronde being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Ravel: Chansons". In this album, this song's track order is #10. In terms of popularity, 3 Chansons (Version For Solo Voice And Piano): No. 3: Ronde is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 3 Chansons (Version For Solo Voice And Piano): No. 3: Ronde by Valérie Millot, David Abramovitz, Maurice Ravel having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Frauenliebe und -leben Op. 42: 3. Ich kann's nicht fassen, nicht glauben | Robert Schumann, Anne Sofie von Otter, Bengt Forsberg | C Minor | 0 | 5A | 131 BPM | ||
Petite messe solennelle: VI. Gloria. Gratias | Gioachino Rossini, Giulio Prandi, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti | A Minor | 0 | 8A | 144 BPM | ||
Die erwachte Rose, TrV 90 | Richard Strauss, Hanna-Elisabeth Müller, Juliane Ruf | B♭ Major | 0 | 6B | 76 BPM | ||
Meyerbeer: Les Huguenots, Act 1: "Plus blanche que la blanche hermine" (Raoul, Chorus) | Giacomo Meyerbeer, Pene Pati, Chœur de l'Opéra National de Bordeaux, Stéphane Rougier, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine | F Major | 0 | 7B | 69 BPM | ||
Mai | Reynaldo Hahn, Susan Graham | F♯ Major | 1 | 2B | 68 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act II Scene 3: Mein Sehnen, mein Wahnen (Fritz, Women's Choir) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | D♭ Major | 1 | 3B | 169 BPM | ||
Messe solennelle, H 20: Resurrexit - Original Version | Hector Berlioz, Gilles Cachemaille, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | C Minor | 2 | 5A | 119 BPM | ||
Mahler: Rückert Lieder: No. 2, Ich atmet' einen linden Duft! | Gustav Mahler, Sir John Barbirolli, Janet Baker, New Philharmonia Orchestra | D Major | 0 | 10B | 145 BPM | ||
Poulenc: Banalités, FP 107: No. 2, Hôtel | Francis Poulenc, Sabine Devieilhe, Alexandre Tharaud | D Major | 0 | 10B | 166 BPM | ||
6 Ariette: No. 5, Per pietà, bell'idol mio | Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera | C Minor | 1 | 5A | 122 BPM |
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