"Petite messe solennelle: VI. Gloria. Gratias" by Gioachino Rossini, Giulio Prandi, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti was released on October 8, 2021. With this song being about 5 minutes long, at 4:55, "Petite messe solennelle: VI. Gloria. Gratias" by Gioachino Rossini, Giulio Prandi, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Rossini: Petite messe solennelle". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. Based on our statistics, Petite messe solennelle: VI. Gloria. Gratias's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Petite messe solennelle: VI. Gloria. Gratias by Gioachino Rossini, Giulio Prandi, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola / Act 1: "Una volta c'era un re" | Gioachino Rossini, Teresa Berganza, Margherita Guglielmi, Laura Zannini, Ugo Trama, London Symphony Orchestra, Claudio Abbado | F Major | 1 | 7B | 174 BPM | ||
Armenian Songs: Mankakan aghotq - Hayr Mer - Children's Prayer - Our Father | Komitas, Hasmik Papian, Vardan Mamikonian | D Major | 0 | 10B | 76 BPM | ||
Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM | ||
Zelenka: Barbara, dira effera, ZWV 164: I. Barbara, dira, effera | Jan Dismas Zelenka, Jakub Józef Orliński, Francesco Corti, Il Pomo D'oro | E Major | 5 | 12B | 121 BPM | ||
Stabat Mater: 6. Vidit suum | Francis Poulenc, Patricia Petibon, Orchestre de Paris, Paavo Järvi, Choeur de l'Orchestre de Paris | A Minor | 0 | 8A | 163 BPM | ||
Sept mélodies, Op. 2: II. Le charme | Ernest Chausson, Véronique Gens, Susan Manoff | F Major | 1 | 7B | 118 BPM | ||
Falstaff, Act I: Ma è tempo d'assottigliar l'ingegno | Giuseppe Verdi, Heinz Zednik, Giuseppe Taddei, Federico Davia, Wiener Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 70 BPM | ||
Iolanthe: Go Away Madam | Elizabeth Woollett, Jill Pert, Richard Suart, New D'Oyly Carte Opera | E♭ Major | 2 | 5B | 52 BPM | ||
Il Barbiere di Siviglia: La calunnia è un venticello | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM | ||
Liszt: 3 Sonetti di Petrarca, S. 270: III. "I' vidi in terra angelici costumi" | Franz Liszt, Diana Damrau | A♭ Major | 0 | 4B | 66 BPM |
Section: 0.6582691669464111
End: 0.6642813682556152