Mahler: Rückert Lieder: No. 2, Ich atmet' einen linden Duft! - Gustav Mahler, Sir John Barbirolli, Janet Baker, New Philharmonia Orchestra Information

Acousticness: 99%
Danceability: 20%
Energy: 4%
Instrumentalness: 29%
Liveness: 8%
Loudness: 49%
Speechiness: 5%
Valence: 4%
Popularity: 1%
Loudness: -30.719 dB

Summary

"Mahler: Rückert Lieder: No. 2, Ich atmet' einen linden Duft!" by Gustav Mahler, Sir John Barbirolli, Janet Baker, New Philharmonia Orchestra was released on January 1, 1970. The duration of Mahler: Rückert Lieder: No. 2, Ich atmet' einen linden Duft! is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Mahler: Rückert Lieder: No. 2, Ich atmet' einen linden Duft!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gustav Mahler, Sir John Barbirolli, New Philharmonia Orchestra's "Mahler: Symphony No. 5 & Rückert-Lieder" album is number 7 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Mahler: Rückert Lieder: No. 2, Ich atmet' einen linden Duft!'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mahler: Rückert Lieder: No. 2, Ich atmet' einen linden Duft! BPM

We consider the tempo marking of Mahler: Rückert Lieder: No. 2, Ich atmet' einen linden Duft! by Gustav Mahler, Sir John Barbirolli, Janet Baker, New Philharmonia Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.

Mahler: Rückert Lieder: No. 2, Ich atmet' einen linden Duft! Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	C Major	1	8B	96 BPM
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto	Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli	G Major	2	9B	87 BPM
Romeo and Juliet, Op. 64: Introduction	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	E Major	1	12B	112 BPM
Lohengrin, Act III: Prelude	Richard Wagner, Slovak Philharmonic, Michael Halasz	G Major	2	9B	94 BPM
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia	Aram Khachaturian, London Symphony Orchestra	A♭ Major	1	4B	88 BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico	Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest	G Major	3	9B	97 BPM
Gayaneh, Ballet Suite: Gayaneh's Adagio	Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov	A Major	1	11B	105 BPM
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro	Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France	G Major	0	9B	130 BPM
Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso	Pyotr Ilyich Tchaikovsky, Teodor Currentzis, Musica Aeterna	B Minor	1	10A	100 BPM
4 Pieces, Op. 51: 2. Prélude	Alexander Scriabin, Evgeny Kissin	F Major	0	7B	75 BPM

ISRC: GBAYC2001326
Label: L-M Records/RCA Records

Section: 0.9248051643371582

End: 0.928004264831543