- BPM
- 122
- Key
- E Major
- Camelot
- 12B
Il barbiere di Siviglia / Act I: "Una voce poco fa...Io sono docile" - Gioachino Rossini, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè Information
- Acousticness
- 98%
- Danceability
- 42%
- Energy
- 8%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 65%
- Speechiness
- 7%
- Valence
- 11%
- Popularity
- 8%
- Loudness
- -21.045 dB
Summary
"Il barbiere di Siviglia / Act I: "Una voce poco fa...Io sono docile"" by Gioachino Rossini, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè was released on January 1, 1989. Since Il barbiere di Siviglia / Act I: "Una voce poco fa...Io sono docile" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 32 in the song's album "Rossini: Il Barbiere di Siviglia". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Il barbiere di Siviglia / Act I: "Una voce poco fa...Io sono docile"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Il barbiere di Siviglia / Act I: "Una voce poco fa...Io sono docile" BPM
With Il barbiere di Siviglia / Act I: "Una voce poco fa...Io sono docile" by Gioachino Rossini, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Il barbiere di Siviglia / Act I: "Una voce poco fa...Io sono docile" Key
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | |
 | Variazzioni di clarinetto in C Major | Gioachino Rossini, Prague Philharmonia, Jiří Bělohlávek, Ludmila Peterková | C Major | 1 | 8B | 128 BPM | |
 | Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | |
 | Lucia di Lammermoor / Act 1: "Regnava nel silenzio" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Minor | 1 | 6A | 86 BPM |
- ISRC
- GBF078840808
- Label
- L-M Records/RCA Records
Section: 1.1389617919921875
End: 1.1443908214569092