シュトゥットガルト・プロ・ムジカ管弦楽団, マルセル・クーロ made "スターバト・マーテル/ああ、愛の泉なる御母よ(『ラヴ&フレンドシップ』より)" available on September 28, 2022. The duration of スターバト・マーテル/ああ、愛の泉なる御母よ(『ラヴ&フレンドシップ』より) is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. スターバト・マーテル/ああ、愛の泉なる御母よ(『ラヴ&フレンドシップ』より)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 映画の中のクラシック ヴィヴァルディの映画館, so we believe that "スターバト・マーテル/ああ、愛の泉なる御母よ(『ラヴ&フレンドシップ』より)" is a single. In terms of popularity, スターバト・マーテル/ああ、愛の泉なる御母よ(『ラヴ&フレンドシップ』より) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of スターバト・マーテル/ああ、愛の泉なる御母よ(『ラヴ&フレンドシップ』より) by シュトゥットガルト・プロ・ムジカ管弦楽団, マルセル・クーロ is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Antonio Vivaldi: Stabat Mater In F Minor- Quis Est Homo (Largo) | Tafelmusik Baroque Orchestra | E Minor | 1 | 9A | 89 BPM | ||
Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 3 | 11A | 71 BPM | ||
When Saul was king: I. When Saul was king over us | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 1 | 11B | 170 BPM | ||
Dixit Dominus, HWV 232: 7. Judicabit in nationibus | George Frideric Handel, Arleen Auger, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey | A Major | 4 | 11B | 111 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): II. Allegro | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 102 BPM | ||
Concerto con 2 violini e viola da gamba, Archi e continuo (Sol Minore, RV 578): II. Larghetto | Antonio Vivaldi, Manfredo Kraemer, Pablo Valetti, Luca Guglielmi, Jordi Savall, Le Concert Des Nations | F♯ Major | 4 | 2B | 115 BPM | ||
Miserere in C minor: Misere II | Thomas Hengelbrock | B Major | 1 | 1B | 104 BPM | ||
Missa Tempore Quadragesimae, MH 553: Benedictus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 67 BPM | ||
Handel: Radamisto, HWV 12a, Act 1, Scene 5: Aria. "Son contenta di morire" (Zenobia) | George Frideric Handel, Nathalie Stutzmann, Orfeo 55 | D♭ Minor | 3 | 12A | 115 BPM | ||
Griselda, RV 718: Aria: Agitata da due venti (Costanza) | Antonio Vivaldi, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A Major | 3 | 11B | 123 BPM |
Section: 0.7310290336608887
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