- BPM
- 89
- Key
- E Minor
- Camelot
- 9A
Antonio Vivaldi: Stabat Mater In F Minor- Quis Est Homo (Largo) - Tafelmusik Baroque Orchestra Information
- Acousticness
- 96%
- Danceability
- 18%
- Energy
- 10%
- Instrumentalness
- 11%
- Liveness
- 12%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 19%
- Loudness
- -19.483 dB
Summary
"Antonio Vivaldi: Stabat Mater In F Minor- Quis Est Homo (Largo)" by Tafelmusik Baroque Orchestra was released on March 21, 2006. The duration of Antonio Vivaldi: Stabat Mater In F Minor- Quis Est Homo (Largo) is about 3 minutes long, at 3:29. Based on our data, "Antonio Vivaldi: Stabat Mater In F Minor- Quis Est Homo (Largo)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 96 in Baroque Adventure: The Quest For Arundo Donax (Aventure Baroque: La Quete De L'Arundo Donax) by Tafelmusik Baroque Orchestra. Antonio Vivaldi: Stabat Mater In F Minor- Quis Est Homo (Largo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Antonio Vivaldi: Stabat Mater In F Minor- Quis Est Homo (Largo) BPM
The tempo marking of Antonio Vivaldi: Stabat Mater In F Minor- Quis Est Homo (Largo) by Tafelmusik Baroque Orchestra is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
Antonio Vivaldi: Stabat Mater In F Minor- Quis Est Homo (Largo) Key
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": I. Allegro | Wolfgang Amadeus Mozart, Bruno Weil, Tafelmusik Baroque Orchestra | B Minor | 1 | 10A | 151 BPM | |
 | Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | |
 | Peasant Cantata, BWV 212: Aria: Ach es schmeckt doch gar zu gut | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Suzie LeBlanc, Nils Brown, Brett Polegato | A♭ Major | 1 | 4B | 89 BPM | |
 | Don Juan - Ballet Pantomimes: 6. Risoluto moderato | Christoph Willibald Gluck, Tafelmusik Baroque Orchestra, Bruno Weil | D Major | 0 | 10B | 151 BPM | |
 | Purcell : King Arthur : Air | William Christie | C Minor | 0 | 5A | 96 BPM | |
 | Sonata X (From "Duodena selectarum sonatarum") (1659) | Johann Heinrich Schmelzer, Tafelmusik Baroque Orchestra, Jeanne Lamon | E♭ Minor | 0 | 2A | 100 BPM | |
 | Antonio Vivaldi: Stabat Mater In F Minor- Quis Est Homo (Largo) | Tafelmusik Baroque Orchestra | E Minor | 1 | 9A | 89 BPM | |
 | Phaëton, LWV 61: Ritournelle "Le printemps" | Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 4 | 4B | 77 BPM | |
 | Concerto Grosso in D Minor, Op. 2, No. 5: II. Allegro | Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 3 | 12A | 120 BPM | |
 | Concerto grosso in D Major, Op. 6, No. 7: III. Andante largo - Allegro | Arcangelo Corelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | F Major | 1 | 7B | 136 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6968445777893066
End: 0.7005555629730225