"Pierrot Lunaire, Op. 21 / Part 1: V. Valse De Chopin" by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez was released on January 1, 1998. With Pierrot Lunaire, Op. 21 / Part 1: V. Valse De Chopin being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Schoenberg: Pierrot Lunaire; Herzgewächse; Ode to Napoleon". In this album, this song's track order is #5. Based on our statistics, Pierrot Lunaire, Op. 21 / Part 1: V. Valse De Chopin's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Pierrot Lunaire, Op. 21 / Part 1: V. Valse De Chopin by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst | F♯ Minor | 0 | 11A | 97 BPM | ||
Symphony No. 15 in A Major, Op. 141: I. Allegretto | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 2 | 3B | 125 BPM | ||
Symphony No. 2 "The Age of Anxiety" / Part 1 / 3. The Seven Stages: Variation 11. L'istesso tempo | Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | G Major | 4 | 9B | 172 BPM | ||
Pierrot Lunaire, Op. 21 / Part 2: XIV. Die Kreuze | Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez | D♭ Major | 1 | 3B | 69 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
La ville d'en haut | Olivier Messiaen, The Cleveland Orchestra, Pierre Boulez | B Major | 2 | 1B | 83 BPM | ||
Schumann - 6 Gesange, Op. 107: No. 1. Herzeleid | Aribert Reimann, Christine Schäfer, Petersen Quartet | E♭ Major | 1 | 5B | 109 BPM | ||
Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: IV. Finale. Allegro con moto | Dmitri Shostakovich, Mstislav Rostropovich, Gennady Rozhdestvensky, Moscow Philharmonic Orchestra | E♭ Major | 3 | 5B | 143 BPM | ||
Symphony No. 7 in C Major, Op. 105: Allegro molto moderato - Allegro moderato - | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | C Major | 1 | 8B | 81 BPM | ||
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 1 Vorgefühle (Forebodings) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 3 | 3B | 75 BPM |
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