"Schoenberg: 5 Orchestral Pieces, Op. 16: No. 1 Vorgefühle (Forebodings)" by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra was released on April 27, 1995. The duration of Schoenberg: 5 Orchestral Pieces, Op. 16: No. 1 Vorgefühle (Forebodings) is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Schoenberg: 5 Orchestral Pieces, Op. 16: No. 1 Vorgefühle (Forebodings)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Schonberg : Verklärte Nacht, 5 Orchestral Pieces & Piano Works". In this album, this song's track order is #9. Schoenberg: 5 Orchestral Pieces, Op. 16: No. 1 Vorgefühle (Forebodings) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schoenberg: 5 Orchestral Pieces, Op. 16: No. 1 Vorgefühle (Forebodings) by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.1 in E Major, Op. 26: IV. Vivace | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | G Major | 1 | 9B | 76 BPM | ||
Violin Concerto "To the Memory of an Angel": II. Allegro - Adagio | Alban Berg, Anne-Sophie Mutter, Chicago Symphony Orchestra, James Levine | F Major | 1 | 7B | 78 BPM | ||
L'Oiseau de feu, K010: XI. Lever du jour | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | B♭ Major | 0 | 6B | 103 BPM | ||
Romeo and Juliet Suite: Madrigal | Sergei Prokofiev, Chicago Symphony Orchestra, Riccardo Muti | G Major | 0 | 9B | 173 BPM | ||
Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso - "Spring Song" | Felix Mendelssohn, Daniel Barenboim | A Major | 0 | 11B | 95 BPM | ||
Sonata For 2 Pianos And Percussion, Sz. 110: 3. Allegro non troppo | Béla Bartók, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | A Major | 3 | 11B | 140 BPM | ||
Dvorák: Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | B Minor | 2 | 10A | 97 BPM | ||
Nielsen: Clarinet Concerto, Op. 57, FS 129: Allegro non troppo - | Carl Nielsen, Sabine Meyer, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 1 | 2B | 57 BPM | ||
Piano Sonata No. 4 in A minor, D.537: I. Allegro ma non troppo | Franz Schubert, Daniel Barenboim | F Major | 1 | 7B | 121 BPM | ||
Pictures At An Exhibition: The Catacombs (Sepulchrum romanum) | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Minor | 0 | 10A | 67 BPM |
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