"Les Contes d'Hoffmann / Act 1: Ha! ha! ha! Monsieur aime donc quelquefois?" by Jacques Offenbach, Andreas Schmidt, Plácido Domingo, Robin Leggate, Urban Malmberg, Claudia Eder, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa was released on January 1, 1989. With this song being about 5 minutes long, at 4:45, "Les Contes d'Hoffmann / Act 1: Ha! ha! ha! Monsieur aime donc quelquefois?" by Jacques Offenbach, Andreas Schmidt, Plácido Domingo, Robin Leggate, Urban Malmberg, Claudia Eder, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jacques Offenbach, Orchestre National De France, Seiji Ozawa's "Jacques Offenbach: The Tales of Hoffmann" album is number 11 out of 48. In terms of popularity, Les Contes d'Hoffmann / Act 1: Ha! ha! ha! Monsieur aime donc quelquefois? is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Contes d'Hoffmann / Act 1: Ha! ha! ha! Monsieur aime donc quelquefois? by Jacques Offenbach, Andreas Schmidt, Plácido Domingo, Robin Leggate, Urban Malmberg, Claudia Eder, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Old Viennese Dances: No. 2, Liebesleid (Arr. for Violin & Orchestra) | Fritz Kreisler, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | A Minor | 1 | 8A | 89 BPM | ||
Morning, Noon and Night in Vienna | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | F Major | 2 | 7B | 80 BPM | ||
Gymnopédie No. 1 in D Major: Lent et douloureux | Erik Satie, Charles Gerhardt | G Major | 1 | 9B | 63 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Les Contes d'Hoffmann / Act 1: Ha! ha! ha! Monsieur aime donc quelquefois? | Jacques Offenbach, Andreas Schmidt, Plácido Domingo, Robin Leggate, Urban Malmberg, Claudia Eder, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | B♭ Major | 1 | 6B | 96 BPM | ||
Offenbach: Les contes d'Hoffmann, Act II: "Les oiseaux dans la charmille" (Olympia) | Jacques Offenbach, Natalie Dessay, Patrick Fournillier, Monte-Carlo Philharmonic Orchestra | A♭ Major | 0 | 4B | 174 BPM | ||
Poeme, Op. 41, No. 6 | Fibich, Grand Philharmonia Orchestra | C Major | 1 | 8B | 135 BPM | ||
Scheherazade, Op. 35: The Young Prince And The Young Princess (Andantino quasi allegretto - Pochissimo più mosso - Come prima - Pochissimo più animato) | Nikolai Rimsky-Korsakov, Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 84 BPM | ||
Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra | C Major | 3 | 8B | 181 BPM |
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