"Holberg Suite, Op. 40: I. Praludium (Allegro Vivace)" by Edvard Grieg, Libor Pešek, Slovac Philharmony was released on January 1, 2009. The duration of Holberg Suite, Op. 40: I. Praludium (Allegro Vivace) is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Holberg Suite, Op. 40: I. Praludium (Allegro Vivace)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edvard Grieg, Libor Pešek, Slovac Philharmony's "Grieg Piano Concerto - Peer Gynt - Holberg Suite" album is number 12 out of 16. On top of that, United States appears to be the country where this track was created. In terms of popularity, Holberg Suite, Op. 40: I. Praludium (Allegro Vivace) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Holberg Suite, Op. 40: I. Praludium (Allegro Vivace) by Edvard Grieg, Libor Pešek, Slovac Philharmony to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: Violin Sonata No. 3 in C Minor, Op. 45: II. Allegretto espressivo alla Romanza | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | E Major | 1 | 12B | 79 BPM | ||
Mozart: Symphony No.40 in g minor, K550 Ⅰ-Molto Allegro | CHA Medical Center | G Minor | 2 | 6A | 122 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 91 BPM | ||
Symphony, " Reformation " , No. 5 in D-Major, op. 107: IV. Choral: Andante con moto - Allegro vivace - Allegro maestoso | Philharmonic Festival Orchestra, Vladimir Petroschoff | D Major | 2 | 10B | 83 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Torleif Thedéen, Malmö Symphony Orchestra, Lev Markiz | A♭ Major | 4 | 4B | 159 BPM | ||
Traumerei Op.15/7 (Dreaming from Scenes From Childhood) | South German Philharmonic Orchestra | F Major | 0 | 7B | 136 BPM | ||
Peer Gynt, Op. 23 - Incidental Music: No. 12a The Death of Ase | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B Minor | 0 | 10A | 113 BPM | ||
"Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth) | The Royal Festival Orchestra, William Bowles, Sarah Ainsworth | A Minor | 1 | 8A | 121 BPM | ||
Piano Concerto No. 2 in F, Op. 102: II. Andante | Dmitri Shostakovich, Dmitri Alexeev/English Chamber Orchestra/Jerzy Maksymiuk, Jerzy Maksymiuk, English Chamber Orchestra | C Minor | 0 | 5A | 166 BPM |
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