"Piano Concerto No. 2 in F, Op. 102: II. Andante" by Dmitri Shostakovich, Dmitri Alexeev/English Chamber Orchestra/Jerzy Maksymiuk, Jerzy Maksymiuk, English Chamber Orchestra was released on February 5, 2007. Piano Concerto No. 2 in F, Op. 102: II. Andante is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. There are a total of 15 in the song's album "Shostakovich: Piano Concertos Nos. 1 & 2 etc". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. The popularity of Piano Concerto No. 2 in F, Op. 102: II. Andante is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 2 in F, Op. 102: II. Andante by Dmitri Shostakovich, Dmitri Alexeev/English Chamber Orchestra/Jerzy Maksymiuk, Jerzy Maksymiuk, English Chamber Orchestra having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Vivaldi: Violin Concerto No. 3 in F Major, Op. 8, RV 293, "L'autunno": III. Allegro (from "Il cimento dell'armonia e dell'inventione") | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | C Major | 2 | 8B | 156 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 173 BPM | ||
Sonata No. 15 in C Major, I. Allegro | Maria João Pires | C Major | 1 | 8B | 136 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Shostakovich: Piano Quintet in G Minor, Op. 57: I. Prelude (Lento) [Live] | Dmitri Shostakovich, Martha Argerich, Alissa Margulis, Lyda Chen, Mischa Maisky, Renaud Capuçon | F Minor | 3 | 4A | 88 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Zhu Xiao-Mei | F Major | 0 | 7B | 65 BPM |
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