Franz Joseph Haydn, Gautier Capuçon, Mahler Chamber Orchestra, Daniel Harding's 'Cello Concerto No. 1 in C Hob. VIIb:1: I. Moderato - Cadenza' came out on April 7, 2003. Since Cello Concerto No. 1 in C Hob. VIIb:1: I. Moderato - Cadenza is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Joseph Haydn, Gautier Capuçon, Daniel Harding, Mahler Chamber Orchestra's "Haydn: Cello Concertos" album is number 1 out of 9. Based on our statistics, Cello Concerto No. 1 in C Hob. VIIb:1: I. Moderato - Cadenza's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Cello Concerto No. 1 in C Hob. VIIb:1: I. Moderato - Cadenza by Franz Joseph Haydn, Gautier Capuçon, Mahler Chamber Orchestra, Daniel Harding to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": III. Con moto moderato | Felix Mendelssohn, Freiburger Barockorchester, Pablo Heras-Casado | E Major | 0 | 12B | 63 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: 13. Chor mit Soli: Die Himmel erzählen die Ehre Gottes | Franz Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | C Major | 3 | 8B | 97 BPM | ||
Pavane pour un infante défunte, M. 19 | Gautier Capuçon, Orchestre de chambre de Paris, Lionel Bringuier | G Major | 0 | 9B | 86 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 2, HWV 313: I. Vivace | George Frideric Handel, Iona Brown, Jonathan Rees, Academy of St. Martin in the Fields | E Minor | 0 | 9A | 106 BPM | ||
Suite from Dardanus: Le Monstre sortant des flots | Jean-Philippe Rameau, Nicholas McGegan, Philharmonia Baroque Orchestra | A Major | 4 | 11B | 111 BPM | ||
Cello Concerto No. 1 in C Hob. VIIb:1: I. Moderato - Cadenza | Franz Joseph Haydn, Gautier Capuçon, Mahler Chamber Orchestra, Daniel Harding | C Major | 1 | 8B | 135 BPM | ||
Rondo, Op. 11, "Rondo Favori" | Johann Nepomuk Hummel, Elena Denisova | E Minor | 1 | 9A | 125 BPM | ||
Symphony No. 82 in C Major, Hob.I:82, "L'ours" (The Bear): IV. Finale: Vivace | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | C Major | 2 | 8B | 72 BPM |
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