Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth made "Symphony No. 82 in C Major, Hob.I:82, "L'ours" (The Bear): IV. Finale: Vivace" available on October 6, 1988. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Joseph Haydn, Capella Istropolitana, Barry Wordsworth's "Haydn: Symphonies, Vol. 1 (Nos. 82, 96, 100)" album is number 4 out of 12. On top of that, Hong Kong appears to be the country where this track was created. Symphony No. 82 in C Major, Hob.I:82, "L'ours" (The Bear): IV. Finale: Vivace is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Symphony No. 82 in C Major, Hob.I:82, "L'ours" (The Bear): IV. Finale: Vivace by Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in E-Flat Major, G. deest: I. Maestoso | Luigi Boccherini, Raphael Wallfisch, Northern Chamber Orchestra, Nicholas Ward | B♭ Major | 2 | 6B | 117 BPM | ||
Symphony No. 25 in G Minor, K. 183*: II. Andante | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | B♭ Major | 0 | 6B | 110 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 2. Romanze (Ziemlich langsam) | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 105 BPM | ||
Massenet: La Vierge, Pt. 4: Le dernier sommeil de la Vierge | Jules Massenet, John Eliot Gardiner, Orchestre National de l'Opéra de Monte-Carlo | A Minor | 5 | 8A | 95 BPM | ||
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: III. Sarabande: Largo | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | B♭ Major | 0 | 6B | 85 BPM | ||
Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 85 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: V. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 0 | 12B | 97 BPM | ||
String Quartet No. 1 in G Major, K. 80: IV. Rondeau: Allegro | Eder Quartet | G Major | 1 | 9B | 118 BPM |
Section: 0.6292188167572021
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