"Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": III. Con moto moderato" by Felix Mendelssohn, Freiburger Barockorchester, Pablo Heras-Casado was released on January 22, 2016. Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": III. Con moto moderato is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The track order of this song in Felix Mendelssohn, Freiburger Barockorchester, Pablo Heras-Casado's "Mendelssohn: Symphonies No. 3 & 4" album is number 7 out of 8. On top of that, France appears to be the country where this track was created. Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": III. Con moto moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": III. Con moto moderato by Felix Mendelssohn, Freiburger Barockorchester, Pablo Heras-Casado to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Violin and Piano No. 2 in D Major, Op. 94a: IV. Allegro con brio | Sergei Prokofiev, Gidon Kremer, Martha Argerich | D Major | 2 | 10B | 124 BPM | ||
6 Moments musicaux, Op. 16: No. 5, Adagio sostenuto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Symphony No. 2 in B-Flat Major, D.125: I. Largo — Allegro vivace | Franz Schubert, New York Philharmonic, Alan Gilbert | B♭ Major | 2 | 6B | 133 BPM | ||
Symphony No. 1 In D, Op. 25 "Classical Symphony": 4. Finale (Vivace) | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 80 BPM | ||
Violin Concerto BWV 1041 in A Minor: Violin Concerto BWV 1041 in A Minor: II. Andante | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans | B Major | 0 | 1B | 179 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: VII. Mélisande At The Spinning Wheel | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 140 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
24 Preludes, Op. 11: No. 13 in G-Flat Major | Alexander Scriabin, Evgeny Zarafiants | F♯ Major | 0 | 2B | 136 BPM | ||
Haydn: Symphony No. 104 in D Major, Hob. I:104 "London": I. Adagio - Allegro | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | D Major | 2 | 10B | 119 BPM |
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