"Daphnis et Chloé Suite No. 2, M. 57b: I. Lever du jour" by Maurice Ravel, SWR Symphony Orchestra, Ernest Bour was released on May 11, 2018. With this song being about 5 minutes long, at 4:44, "Daphnis et Chloé Suite No. 2, M. 57b: I. Lever du jour" by Maurice Ravel, SWR Symphony Orchestra, Ernest Bour is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Ravel: Orchestral Works". In this album, this song's track order is #13. Daphnis et Chloé Suite No. 2, M. 57b: I. Lever du jour is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Daphnis et Chloé Suite No. 2, M. 57b: I. Lever du jour by Maurice Ravel, SWR Symphony Orchestra, Ernest Bour having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Strings in E Minor, Op. 20: 2. Larghetto | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 88 BPM | ||
Jeux d'eau, M. 30 | Maurice Ravel, Hélène Grimaud | D♭ Minor | 2 | 12A | 66 BPM | ||
Symphony No. 1 in E Minor: III. Juba Dance | Florence Beatrice Price, Fort Smith Symphony, John Jeter | F Major | 2 | 7B | 111 BPM | ||
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | ||
Korngold -Concerto for Violin and Orchestra in D Major, op.35: II Romance: Andante | Erich Wolfgang Korngold, James Ehnes, Vancouver Symphony Orchestra, Bramwell Tovey | G Major | 1 | 9B | 128 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | D Major | 1 | 10B | 133 BPM | ||
Lohengrin, WWV. 75: Prelude to Act I | Richard Wagner, Philadelphia Orchestra, Christian Thielemann | B Major | 1 | 1B | 72 BPM | ||
Carmen Suite No. 2: Habanera | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 0 | 10B | 127 BPM | ||
Harmonielehre: Pt. III Meister Eckhardt and Quackie | John Adams | E Minor | 1 | 9A | 77 BPM | ||
Concerto grosso in B-Flat Major, Op. 6 No. 7, HWV 325: I. Largo | George Frideric Handel, Alexander Titov, St. Petersburg Classic Music Studio Orchestra | B♭ Major | 1 | 6B | 78 BPM |
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