Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit made "Carmen Suite No. 2: Habanera" available on January 1, 1988. The duration of Carmen Suite No. 2: Habanera is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Carmen Suite No. 2: Habanera's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 19 in Bizet: Carmen Suites 1 & 2; L'Arlésienne Suites 1 & 2 by Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Carmen Suite No. 2: Habanera's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Carmen Suite No. 2: Habanera by Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
Pavane in F-Sharp Minor, Op. 50 | Gabriel Fauré, Charles Gerhardt, National Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
Faust: Waltz | Charles Gounod, Slovak Radio Symphony Orchestra, Richard Hayman | A♭ Major | 1 | 4B | 118 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Orchestre National De Lyon, Jun Markl | A♭ Minor | 0 | 1A | 143 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 87 BPM | ||
L'Arlésienne Suite No. 2 (Arr. E. Guiraud for Orchestra): II. Intermezzo | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Janos Sandor | E♭ Major | 0 | 5B | 126 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Mariinsky Orchestra, Valery Gergiev | A Minor | 0 | 8A | 77 BPM | ||
Menuet in E-Flat Major | Nora Mercz, Georges Bizet, Janos Balint | E♭ Major | 0 | 5B | 74 BPM | ||
Suppé: Leichte Kavallerie | Franz von Suppé, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 138 BPM |
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