Lohengrin, WWV. 75: Prelude to Act I - Richard Wagner, Philadelphia Orchestra, Christian Thielemann Information

Acousticness: 79%
Danceability: 8%
Energy: 10%
Instrumentalness: 93%
Liveness: 13%
Loudness: 68%
Speechiness: 5%
Valence: 3%
Popularity: 20%
Loudness: -19.243 dB

Summary

"Lohengrin, WWV. 75: Prelude to Act I" by Richard Wagner, Philadelphia Orchestra, Christian Thielemann was released on January 1, 1998. Since Lohengrin, WWV. 75: Prelude to Act I is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Preludes and Orchestral Music by Richard Wagner, Philadelphia Orchestra, Christian Thielemann. The song's track number on the album is #2 out of 7 tracks. Based on our data, Germany was the country where this track was produced or recorded. Lohengrin, WWV. 75: Prelude to Act I is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Lohengrin, WWV. 75: Prelude to Act I BPM

Since Lohengrin, WWV. 75: Prelude to Act I by Richard Wagner, Philadelphia Orchestra, Christian Thielemann has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Lohengrin, WWV. 75: Prelude to Act I being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Lohengrin, WWV. 75: Prelude to Act I Key

This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme	Benjamin Britten, London Symphony Orchestra, Steuart Bedford	B♭ Major	1	6B	83 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato	Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra	A♭ Major	1	4B	109 BPM
Rhapsody On A Theme Of Paganini, Op.43: Variation 24. A tempo un poco meno mosso	Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin	B♭ Major	3	6B	111 BPM
Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto	Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin	E Major	0	12B	173 BPM
Bruckner: Symphony No. 7 in E Major, WAB 107: III. Scherzo. Sehr schnell - Trio. Etwas langsamer	Anton Bruckner, Nikolaus Harnoncourt, Wiener Philharmoniker	F Major	0	7B	134 BPM
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco piu presto	Johannes Brahms, Julia Fischer, Yakov Kreizberg, Netherlands Philharmonic Orchestra	G Major	2	9B	89 BPM
Piano Trio No.2 in E flat, Op.100 D.929: 2. Andante con moto	Franz Schubert, Vladimir Ashkenazy, Pinchas Zukerman, Lynn Harrell	C Major	0	8B	83 BPM
Delirien, Walzer, Op. 212	Josef Strauss, Christian Thielemann, Wiener Philharmoniker	A Major	4	11B	100 BPM
Symphony No. 5: IV. Adagietto. Sehr langsam	Gustav Mahler, Valery Gergiev, London Symphony Orchestra	F Major	0	7B	66 BPM
Karelia Suite, Op.11: 1. Intermezzo (Moderato)	Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi	E♭ Major	1	5B	182 BPM

ISRC: DEF059703310
Label: L-M Records/RCA Records

Section: 0.869882345199585

End: 0.8743956089019775