Luigi Dallapiccola, Antonio Vivaldi, Martin Rummel, Till Alexander Körber's 'Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47 (arr. L. Dallapiccola for cello and piano): I. Largamente, ma Andante' came out on July 5, 2011. The duration of Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47 (arr. L. Dallapiccola for cello and piano): I. Largamente, ma Andante is about 3 minutes long, at 3:28. Based on our data, "Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47 (arr. L. Dallapiccola for cello and piano): I. Largamente, ma Andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vivaldi (Dallapiccola): Cellosonaten by Antonio Vivaldi, Martin Rummel. The song's track number on the album is #1 out of 48 tracks. In terms of popularity, Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47 (arr. L. Dallapiccola for cello and piano): I. Largamente, ma Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47 (arr. L. Dallapiccola for cello and piano): I. Largamente, ma Andante by Luigi Dallapiccola, Antonio Vivaldi, Martin Rummel, Till Alexander Körber has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Cello Sonata in B-Flat Major, Op. 14, No. 1, RV 47 (arr. L. Dallapiccola for cello and piano): I. Largamente, ma Andante being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantata No. 4: No. 2, Pastoral | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | D♭ Minor | 0 | 12A | 85 BPM | ||
The Danserye (Transcr. for Piano by Florian Noack): III. Den Hoboeckendans | Tylman Susato, Florian Noack | C Minor | 2 | 5A | 110 BPM | ||
Cirandas, W220: No. 16, Có-Có-Có | Heitor Villa-Lobos, Wilhem Latchoumia | B Minor | 3 | 10A | 62 BPM | ||
Scherzo (1954) | Jānis Ķepītis, Duo Arnicans | F Major | 2 | 7B | 132 BPM | ||
D’un cahier d’esquisses, L.112 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
Children's Corner, L. 119a (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
3 Studies for Piano, Op. 18, Sz. 72: No. 3, Rubato - Molto sostenuto | Béla Bartók, Fülöp Ránki | C Major | 1 | 8B | 135 BPM | ||
Serenade in C Major, Op. 10: II. Romanza: Adagio non troppo, quasi andante | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | F Major | 0 | 7B | 76 BPM | ||
Concert pour piano, violon et quatuor à cordes en Ré Majeur, Op. 21: II. Sicilienne | Ernest Chausson, Gabriel Le Magadure, Frank Braley, Quatuor Agate | F Major | 2 | 7B | 103 BPM | ||
Bliss: Cello Concerto: II. Larghetto | Arthur Bliss, Arto Noras, Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 1 | 8B | 95 BPM |
Section: 0.8238458633422852
End: 0.8275463581085205