"3 Studies for Piano, Op. 18, Sz. 72: No. 3, Rubato - Molto sostenuto" by Béla Bartók, Fülöp Ránki was released on December 3, 2021. The duration of 3 Studies for Piano, Op. 18, Sz. 72: No. 3, Rubato - Molto sostenuto is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. 3 Studies for Piano, Op. 18, Sz. 72: No. 3, Rubato - Molto sostenuto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 18 in Bartók: Piano Works by Béla Bartók, Fülöp Ránki. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, 3 Studies for Piano, Op. 18, Sz. 72: No. 3, Rubato - Molto sostenuto's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 3 Studies for Piano, Op. 18, Sz. 72: No. 3, Rubato - Molto sostenuto by Béla Bartók, Fülöp Ránki is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quartet No. 1 in C Minor, Op. 15: I. Allegro molto moderato | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | F♯ Minor | 0 | 11A | 84 BPM | ||
Allegro Non Troppo E Risoluto | Pyotr Ilyich Tchaikovsky, St. Lawrence String Quartet | E♭ Major | 2 | 5B | 128 BPM | ||
Java Suite: Part I: I. Gamelan | Leopold Godowsky, Konstantin Scherbakov | D Minor | 0 | 7A | 88 BPM | ||
L'Oiseau de feu (1911 Version): XVI. Danse infernale de tous les sujets de Kastchei | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B♭ Major | 0 | 6B | 77 BPM | ||
String Quartet No. 1 in A Minor, Op. 41/1: II. Scherzo. Presto | Robert Schumann, Emerson String Quartet | A Major | 1 | 11B | 202 BPM | ||
Liebermann: Gargoyles, Op. 29: III. Allegro moderato | Lowell Liebermann, Stephen Hough | D♭ Major | 0 | 3B | 77 BPM | ||
L'Oiseau de feu (1911 Version): XVIII. Réveil de Kastchei - Mort de Kastchei - Profondes tenèbres | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B♭ Minor | 1 | 3A | 113 BPM | ||
Ame no ki sobyo II (Rain Tree Sketch II), "In memoriam Olivier Messiaen" | Toru Takemitsu, Kotaro Fukuma | F♯ Minor | 0 | 11A | 85 BPM | ||
6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | ||
3 Fragmente: I. Magie | Witold Lutosławski, Eva Oertle, Consuelo Giulianelli | C Minor | 1 | 5A | 150 BPM |
Section: 0.6958138942718506
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