"Serenade in C Major, Op. 10: II. Romanza: Adagio non troppo, quasi andante" by Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay was released on July 15, 2014. The duration of Serenade in C Major, Op. 10: II. Romanza: Adagio non troppo, quasi andante is about 3 minutes long, at 3:25. Based on our data, "Serenade in C Major, Op. 10: II. Romanza: Adagio non troppo, quasi andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 13 in Dohnanyi / Weiner: Chamber Music by Laszlo Barsony, Karoly Botvay, Jenő Jandó, Andras Kiss. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. Serenade in C Major, Op. 10: II. Romanza: Adagio non troppo, quasi andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serenade in C Major, Op. 10: II. Romanza: Adagio non troppo, quasi andante by Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer Sonata: Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer Sonata": III. Finale. (Presto) [Transc. for Cello by Carl Czerny] | Ludwig van Beethoven, Jérôme Pernoo, Jérôme Ducros | A Major | 2 | 11B | 95 BPM | ||
Suite for Stor Orkester: IV. Finale. Allegro ben Moderato | Helena Munktell, Gävle Symphony Orchestra, Tobias Ringborg | E♭ Major | 2 | 5B | 138 BPM | ||
Will Tomorrow, I Wonder, Be Cloudy or Clear? | Toru Takemitsu, Laura van der Heijden, Jâms Coleman | B♭ Major | 0 | 6B | 72 BPM | ||
Prelude & Fugue in D Minor, BWV 539 "Fiddle" (Arr. Goedicke for Piano): II. Fugue | Johann Sebastian Bach, Hamish Milne | D Minor | 1 | 7A | 114 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
Symphony No. 3 in C Minor, Op. 14: IIIc. Var. 2, Andante con moto | Witold Maliszewski, Opole Philharmonic Orchestra, Przemyslaw Neumann | A♭ Major | 0 | 4B | 79 BPM | ||
8 Easy Pieces, Op. 43: No. 5, Le soir | Reinhold Glière, Alton Chung Ming Chan | G Major | 0 | 9B | 107 BPM | ||
pertenece a mi tentacion | loncho brabo | F Major | 0 | 7B | 180 BPM | ||
Les Érinnyes: Invocation | Jules Massenet, Munich Radio Orchestra, Herve Niquet, Alexandre Vay | B♭ Major | 1 | 6B | 74 BPM | ||
Tchaikovsky: Valse-scherzo, Op. 7 | Pyotr Ilyich Tchaikovsky, Aurélien Pontier | F Minor | 0 | 4A | 72 BPM |
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