Prelude & Fugue in D Minor, BWV 539 "Fiddle" (Arr. Goedicke for Piano): II. Fugue
Johann Sebastian Bach, Hamish Milne
Bach: Piano Transcriptions, Vol. 5 ā€“ Goedicke, Kabalevsky, Catoire & Siloti
6:05 May 1, 2005
BPM
114
Key
D Minor
Camelot
7A

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Prelude & Fugue in D Minor, BWV 539 "Fiddle" (Arr. Goedicke for Piano): II. Fugue - Johann Sebastian Bach, Hamish Milne Information

Acousticness
99%
Danceability
41%
Energy
13%
Instrumentalness
90%
Liveness
9%
Loudness
63%
Speechiness
4%
Valence
12%
Popularity
Loudness
-21.912 dB

Summary

"Prelude & Fugue in D Minor, BWV 539 "Fiddle" (Arr. Goedicke for Piano): II. Fugue" by Johann Sebastian Bach, Hamish Milne had its release date on May 1, 2005. This song is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. The song is number 6 out of 14 in Bach: Piano Transcriptions, Vol. 5 ā€“ Goedicke, Kabalevsky, Catoire & Siloti by Johann Sebastian Bach, Hamish Milne. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Prelude & Fugue in D Minor, BWV 539 "Fiddle" (Arr. Goedicke for Piano): II. Fugue is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Prelude & Fugue in D Minor, BWV 539 "Fiddle" (Arr. Goedicke for Piano): II. Fugue BPM

The tempo marking of Prelude & Fugue in D Minor, BWV 539 "Fiddle" (Arr. Goedicke for Piano): II. Fugue by Johann Sebastian Bach, Hamish Milne is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

Prelude & Fugue in D Minor, BWV 539 "Fiddle" (Arr. Goedicke for Piano): II. Fugue Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

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ISRC
GBAJY0550606
Label
L-M Records/RCA Records