"Dixit Dominus, HWV 232: 6. Dominus a dextris tuis" by George Frideric Handel, Arleen Auger, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey had its release date on January 1, 1988. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey's "Handel: Dixit Dominus, HWV 232; Nisi Dominus, HWV 238; Salve Regina, HWV 241" album is number 6 out of 19. On top of that, Germany appears to be the country where this track was created. Dixit Dominus, HWV 232: 6. Dominus a dextris tuis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dixit Dominus, HWV 232: 6. Dominus a dextris tuis by George Frideric Handel, Arleen Auger, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 3, Song with Chorus. "You Spotted Snakes" | Felix Mendelssohn, Rotterdam Philharmonic Orchestra, Jeffrey Tate, Lynne Dawson, Philharmonisch Koor Toonskunt, Rotterdam, Susanne Mentzer | F Minor | 1 | 4A | 86 BPM | ||
Couperin, F: Première leçon de ténèbres pour le Mercredi saint: II. Aleph | François Couperin, William Christie, Sophie Daneman, Les Arts Florissants | D♭ Minor | 2 | 12A | 93 BPM | ||
Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 1 | 5A | 103 BPM | ||
Chandos Anthem No. 7, HWV 252, "My song shall be alway": Sonata | George Frideric Handel, Harry Christophers, The Sixteen, David Woodcock, Sophia McKenna | D Major | 2 | 10B | 107 BPM | ||
Let Thy Hand be Strengthened (Coronation Anthem No.2, HWV 259) | George Frideric Handel, The English Concert, Simon Preston, Trevor Pinnock, The Choir Of Westminster Abbey | F♯ Major | 2 | 2B | 170 BPM | ||
Come Live With Me | William Sterndale Bennett, David James, Paul Elliott, Leigh Nixon, Paul Hillier | F♯ Major | 1 | 2B | 75 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Agnus Dei et Communio | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | C Minor | 2 | 5A | 86 BPM | ||
Iste Confessor | Domenico Scarlatti, Libby Crabtree, Angus Davidson, Neil MacKenzie, Simon Birchall, Harry Christophers, The Sixteen | C Minor | 1 | 5A | 135 BPM | ||
Monteverdi: Madrigals, Book 7: Con che soavità, SV 139 | Claudio Monteverdi, Christina Pluhar, Núria Rial | G Major | 1 | 9B | 79 BPM |