"Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 3, Song with Chorus. "You Spotted Snakes"" by Felix Mendelssohn, Rotterdam Philharmonic Orchestra, Jeffrey Tate, Lynne Dawson, Philharmonisch Koor Toonskunt, Rotterdam, Susanne Mentzer had its release date on July 1, 1997. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jeffrey Tate, Rotterdam Philharmonic Orchestra's "Mendelssohn: A Midsummer Night's Dream" album is number 4 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 3, Song with Chorus. "You Spotted Snakes" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 3, Song with Chorus. "You Spotted Snakes" by Felix Mendelssohn, Rotterdam Philharmonic Orchestra, Jeffrey Tate, Lynne Dawson, Philharmonisch Koor Toonskunt, Rotterdam, Susanne Mentzer to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged by Wilhelm Kempff: Ronde des esprits bienheureux | Christoph Willibald Gluck, Wilhelm Kempff | F Major | 0 | 7B | 73 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Kinderszenen, Op. 15: No. 10 Fast zu ernst | Robert Schumann, Wilhelm Kempff | G Major | 0 | 9B | 69 BPM | ||
Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM |