"Let Thy Hand be Strengthened (Coronation Anthem No.2, HWV 259)" by George Frideric Handel, The English Concert, Simon Preston, Trevor Pinnock, The Choir Of Westminster Abbey was released on January 1, 1995. Since Let Thy Hand be Strengthened (Coronation Anthem No.2, HWV 259) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Frideric Handel, The English Concert, Trevor Pinnock, The Choir Of Westminster Abbey, Simon Preston's "Handel: Coronation Anthems; Concerti a due cori" album is number 4 out of 16. The popularity of Let Thy Hand be Strengthened (Coronation Anthem No.2, HWV 259) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Let Thy Hand be Strengthened (Coronation Anthem No.2, HWV 259) by George Frideric Handel, The English Concert, Simon Preston, Trevor Pinnock, The Choir Of Westminster Abbey to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 4 : I. Adagio - Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Ludovit Kanta, Daniela Ruso, Capella Istropolitana | D Major | 3 | 10B | 130 BPM | ||
The "Brockes" Passion: 1. "Mich vom Stricke meiner Sünden zu entbinden" | George Frideric Handel, Maria Stader, Edda Moser, Paul Esswood, Ernst Haefliger, Jerry Jennings, Theo Adam, Schola Cantorum Basiliensis, August Wenzinger, Regensburger Domspatzen, Hans Schrems | A Major | 9 | 11B | 127 BPM | ||
Concerto for 2 Violins, 2 Cellos, Strings and Continuo in G, R.575: 3. Allegro | Antonio Vivaldi, Peter Hanson, Walter Reiter, Jane Coe, David Watkin, The English Concert, Trevor Pinnock | C Major | 2 | 8B | 119 BPM | ||
Mass in C Major, K. 317 "Coronation": II. Gloria | Wolfgang Amadeus Mozart, Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert, Trevor Pinnock, The English Concert Choir | G Major | 3 | 9B | 138 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Requiem, Op. 48: Pie Jesu | Gabriel Fauré, Collegium Vocale Gent, Johannette Zomer, La Chapelle Royale, Philippe Herreweghe | B♭ Major | 0 | 6B | 83 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Birthday Ode 1692 Long may she reign over this isle | The Sixteen | B Minor | 2 | 10A | 64 BPM | ||
Symphony No. 1 in D major, Wq. 183/1: Symphony No. 1 in D major, Wq. 183/1: III. Presto | Carl Philipp Emanuel Bach, The English Concert, Andrew Manze | D♭ Major | 2 | 3B | 119 BPM |
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