"Tantum ergo" by Fernand Laloux, Choir of Jesus College, Cambridge, Mark Williams was released on February 9, 2015. The duration of Tantum ergo is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Tantum ergo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Out of Darkness: Music from Lent to Trinity". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Tantum ergo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tantum ergo by Fernand Laloux, Choir of Jesus College, Cambridge, Mark Williams having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der 13. Psalm, Op. 27 | Johannes Brahms, MDR Leipzig Radio Chorus, Wolf-Dieter Hauschild | G Major | 1 | 9B | 93 BPM | ||
Drop, Drop Slow Tears | Chorus Angelicus | G Major | 0 | 9B | 80 BPM | ||
Burial Service: I. Man that is Born of a Woman | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 0 | 6A | 98 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: I. Kyrie | Josef Rheinberger, Ensemble Stuttgart, Frieder Bernius, Kammerchor Stuttgart | E♭ Major | 1 | 5B | 66 BPM | ||
Regina caeli | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
St. John Passion, Part I: Sing, My Tongue, the Glorious Battle | Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Chaconne Brass, Wells Cathedral Choir, Matthew Owens | C Minor | 4 | 5A | 163 BPM | ||
When to the Temple Mary Went | Johannes Eccard, Christ Church Cathedral Choir, Stephen Farr, Stephen Darlington | D Minor | 0 | 7A | 78 BPM | ||
Ecce vicit Leo | Peter Philips, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 2 | 6B | 118 BPM | ||
All My Hope on God is Founded | Robert Bridges, Herbert Howells, Choir of Jesus College, Cambridge, Richard Pinel | F Major | 2 | 7B | 89 BPM | ||
Exultate Justi! | Lodovico Grossi da Viadana, Gloriae Dei Cantores, Elizabeth C. Patterson | A Major | 2 | 11B | 94 BPM |
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