"Candide / Act I: 13. You Were Dead, You Know" by Leonard Bernstein, June Anderson, Jerry Hadley, London Symphony Orchestra was released on January 1, 1991. The duration of Candide / Act I: 13. You Were Dead, You Know is about 3 minutes long, at 3:01. Based on our data, "Candide / Act I: 13. You Were Dead, You Know" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Candide / Act I: 13. You Were Dead, You Know is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Candide / Act I: 13. You Were Dead, You Know by Leonard Bernstein, June Anderson, Jerry Hadley, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: La rondine, Act 3: "È qui? … Non so!" (Lisette, Prunier) | Giacomo Puccini, Inva Mula-Tchako/William Matteuzzi/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Carmen (1997 - Remaster), Act III: Quant au douanier, c'est notre affaire | Georges Bizet, Maria Callas, Nadine Sautereau, Jane Berbié, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | F♯ Major | 2 | 2B | 131 BPM | ||
Grand Canyon Suite (Remastered): I. Sunrise | Ferde Grofé, Leonard Bernstein, New York Philharmonic | A Major | 3 | 11B | 85 BPM | ||
Songfest: V. "I, Too, Sing America" / "Okay 'Negroes' " | Leonard Bernstein, Rosalind Elias, John Reardon, National Symphony Orchestra Washington | A Major | 2 | 11B | 86 BPM | ||
Carmina Burana: XVI. Dies, nox et omnia | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 93 BPM | ||
11. How beautifully blue the sky | Arthur Sullivan, Valerie Masterson, Philip Potter, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | F♯ Major | 1 | 2B | 82 BPM | ||
Carmina Burana: XVII. Stetit puella | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 80 BPM | ||
War Requiem, Op. 66: xi. Dies Irae - "Be slowly lifted up, thou long black arm" | Benjamin Britten, Gianandrea Noseda, Simon Keenlyside, London Symphony Orchestra | B Minor | 2 | 10A | 78 BPM | ||
Pictures at an Exhibition: IV. Bydlo | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 92 BPM | ||
Le carnaval des animaux, R. 125: 4. Tortues | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | B♭ Major | 0 | 6B | 137 BPM |
Section: 1.1149928569793701
End: 1.1185007095336914