Giacomo Puccini, Inva Mula-Tchako/William Matteuzzi/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra's 'Puccini: La rondine, Act 3: "È qui? … Non so!" (Lisette, Prunier)' came out on January 4, 1997. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 48 in the song's album "Puccini: La Rondine". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Puccini: La rondine, Act 3: "È qui? … Non so!" (Lisette, Prunier) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Puccini: La rondine, Act 3: "È qui? … Non so!" (Lisette, Prunier) by Giacomo Puccini, Inva Mula-Tchako/William Matteuzzi/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Swan Lake, Op. 20, Act 3: Scene. Danse de fançailles | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | F Major | 5 | 7B | 148 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 1: "Zázrak!" | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Ladislav Elgr, Claire Barnett-Jones, Pavlo Hunka | A♭ Major | 1 | 4B | 91 BPM | ||
Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom | Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard White | C Major | 2 | 8B | 138 BPM | ||
La Bohème / Act 4: "In un coupé?" | Giacomo Puccini, Rolando Panerai, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | D Minor | 2 | 7A | 84 BPM | ||
Massenet: Manon, Act 2 Scene 4: "Adieu, notre petite table" (Manon) | Jules Massenet, Angela Gheorghiu, Antonio Pappano, Orchestra of the Théâtre Royal de La Monnaie, Brussels | G Minor | 0 | 6A | 163 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3, Lied mit Chor | Felix Mendelssohn, London Symphony Orchestra, Ceri-lyn Cissone, John Eliot Gardiner, The Monteverdi Choir | A Major | 0 | 11B | 99 BPM | ||
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Infirma nostri corporis | Gustav Mahler, Leonard Bernstein, London Symphony Orchestra | E♭ Major | 2 | 5B | 77 BPM | ||
La Cenerentola / Act 2: "Sia qualunque delle figlie" | Gioachino Rossini, Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado | A Major | 4 | 11B | 113 BPM | ||
Pagliacci / Act 1: "Don, din, don - suona vespero" | Ruggero Leoncavallo, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | C Major | 1 | 8B | 84 BPM | ||
The Throne Room and End Title | John Williams, London Symphony Orchestra | C Major | 4 | 8B | 58 BPM |
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