Ferde Grofé, Leonard Bernstein, New York Philharmonic's 'Grand Canyon Suite (Remastered): I. Sunrise' came out on November 24, 2017. With this song being about 5 minutes long, at 5:16, "Grand Canyon Suite (Remastered): I. Sunrise" by Ferde Grofé, Leonard Bernstein, New York Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Leonard Bernstein, Columbia Symphony Orchestra, New York Philharmonic's "Gershwin: Rhapsody in Blue & An American in Paris - Grofé: Grand Canyon Suite (Remastered)" album is number 3 out of 7. Grand Canyon Suite (Remastered): I. Sunrise is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grand Canyon Suite (Remastered): I. Sunrise by Ferde Grofé, Leonard Bernstein, New York Philharmonic to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Appalachian Spring - 1945 Suite: 7. Doppio movimento: Variations on a Shaker Hymn | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | D♭ Major | 1 | 3B | 85 BPM | ||
March from The Love for Three Oranges, Op. 33a | Sergei Prokofiev, Michael Tilson Thomas, Los Angeles Philharmonic | A♭ Major | 4 | 4B | 124 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": IV. Maestoso - Allegro | Camille Saint-Saëns, Charles Münch, Boston Symphony Orchestra | C Major | 4 | 8B | 104 BPM | ||
Roman Carnival Overture, Op. 9, H. 95 | Hector Berlioz, Charles Münch | A Major | 3 | 11B | 90 BPM | ||
España: Espana | Emmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Herve Niquet | F Major | 3 | 7B | 117 BPM | ||
La péri - Fanfare | Paul Dukas, Roberto Benzi, Orchestre de Bordeaux Aquitaine | F♯ Major | 1 | 2B | 71 BPM | ||
The Music Makers, Op. 69: II. We Are the music makers | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | B♭ Minor | 0 | 3A | 79 BPM | ||
Lord Peter's Stable-Boy | Percy Grainger, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 78 BPM | ||
First Suite of English Folk Dances: No. 3 Dick's Maggot | Ernest Tomlinson, Slovak Radio Symphony Orchestra | B♭ Major | 0 | 6B | 183 BPM | ||
The Prague Carnival. Introduction and Polonaise | Bedřich Smetana, Prague Symphony Orchestra, Tomáš Brauner | A Major | 3 | 11B | 69 BPM |
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