Sergei Prokofiev, Michael Tilson Thomas, Los Angeles Philharmonic made "March from The Love for Three Oranges, Op. 33a" available on 1994. With March from The Love for Three Oranges, Op. 33a being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in The Philadelphia Orchestra, Philharmonia Virtuosi's "Greatest Hits: Marches" album is number 23 out of 25. Based on our statistics, March from The Love for Three Oranges, Op. 33a's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of March from The Love for Three Oranges, Op. 33a by Sergei Prokofiev, Michael Tilson Thomas, Los Angeles Philharmonic to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
On the Dnieper Suite, Op. 51bis: III. The Betrothal | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 1 | 10B | 128 BPM | ||
Piano Concerto No. 3 in C Major, Op. 26: 2. Tema con variazioni | Sergei Prokofiev, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 80 BPM | ||
Capriccio espagnol, Op. 34: IV. Scena e canto gitano | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
Carmina Burana: Ave formosissima | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | E Minor | 2 | 9A | 89 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: I. Allegro maestoso | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Shostakovich: Symphony No. 5 in D Minor, Op. 47: IV. Finale (Allegro non troppo) | Dmitri Shostakovich, San Francisco Symphony, Michael Tilson Thomas | B Major | 2 | 1B | 92 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
España | Emmanuel Chabrier, Neeme Järvi, Suisse Romande Orchestra | F Major | 1 | 7B | 127 BPM |
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