"Songs of the Sea, Op. 10: No. 1, A Canadian Boat Song" by Amy Beach, Dana Zenobi, Oliver Worthington, Chuck Dillard was released on February 11, 2022. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Dana Zenobi, Oliver Worthington, Chuck Dillard, David Murray's "Joys Abiding" album is number 14 out of 20. On top of that, United States appears to be the country where this track was created. In terms of popularity, Songs of the Sea, Op. 10: No. 1, A Canadian Boat Song is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Songs of the Sea, Op. 10: No. 1, A Canadian Boat Song by Amy Beach, Dana Zenobi, Oliver Worthington, Chuck Dillard to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
Saint-Saëns / Transcr. Vidal: Le carnaval des animaux: XIII. Le cygne | Camille Saint-Saëns, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de Paris | G Major | 0 | 9B | 82 BPM | ||
Nacht und Träume, Op. 43 No. 2, D. 827 | Franz Schubert, Harriet Krijgh, Magda Amara | E Major | 1 | 12B | 80 BPM | ||
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
Miniature No. 7 | Giya Kancheli, Andrea Cortesi, Marco Venturi | F♯ Minor | 0 | 11A | 78 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Deux Morceaux: I. Nocturne (Arr. for Cello & Piano by Julian Riem) | Lili Boulanger, Raphaela Gromes, Julian Riem | A Major | 2 | 11B | 78 BPM | ||
24 Préludes, Op. 28: No. 4 in E Minor | Frédéric Chopin, Martha Argerich | A Minor | 0 | 8A | 51 BPM | ||
Cabildo, Op. 149: Prologue: Introduction | Amy Beach, Stephen Mo Hanan, Anthony Dean Griffey, Charlotte Hellekant, Eugene Perry, Paul Groves, Thomas Paul, Lauren Flanigan, Mark Peskanov, Carter Brey, Christopher O'Riley, New York Concert Singers, Ransom Wilson | F Minor | 1 | 4A | 127 BPM |
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