Daniel Barenboim's 'Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.23 in B major BWV892' came out on 2004. The duration of Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.23 in B major BWV892 is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.23 in B major BWV892's duration is considered a little bit shorter than the average duration of a typical track. The song is number 93 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.23 in B major BWV892 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.23 in B major BWV892 by Daniel Barenboim is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.12 in F minor BWV881 | Daniel Barenboim | F Minor | 0 | 4A | 135 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": II. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 1 in C major, BWV 846 | Luc Beauséjour | A♭ Minor | 4 | 1A | 132 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.23 in B major BWV868 | Daniel Barenboim | A♭ Minor | 0 | 1A | 116 BPM | ||
Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: I. Allegro, ma non troppo | Antonín Dvořák, Itzhak Perlman, Daniel Barenboim, London Philharmonic Orchestra | A Minor | 2 | 8A | 103 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
Brahms: Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo | Johannes Brahms, Daniel Barenboim, Chicago Symphony Orchestra | E Minor | 1 | 9A | 137 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Sonata No. 5 in A Major, Op. 17, No. 5: II. Presto | Johann Christian Bach, Daniil Trifonov | A Major | 2 | 11B | 67 BPM |
Section: 0.7800924777984619
End: 0.7843201160430908