"Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.12 in F minor BWV881" by Daniel Barenboim was released on 2004. The duration of Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.12 in F minor BWV881 is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.12 in F minor BWV881's duration is considered a little bit shorter than the average duration of a typical track. The song is number 72 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.12 in F minor BWV881's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.12 in F minor BWV881 by Daniel Barenboim is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 4 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 69 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: III. Sarabande: Largo | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | B♭ Major | 0 | 6B | 85 BPM | ||
Quartet in G major / Sol majeur / G-dur: II. Vivace - Moderato - Vivace | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | E♭ Minor | 2 | 2A | 115 BPM | ||
Cello Suite No. 3 In C major, BWV 1009 : III Courante | Pablo Casals | G Major | 2 | 9B | 170 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Sylvia: Pizzicati | Léo Delibes, Daniel Barenboim, Wiener Philharmoniker | E♭ Major | 0 | 5B | 120 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: IV. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | A Major | 4 | 11B | 133 BPM | ||
Sonata in G Minor, No. 5: II. Vivace | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | F♯ Minor | 2 | 11A | 100 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM |
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